Michael Grimaldi Workshop: "Curiosity"

Melissa Phase III
11 x 14
Oil on panel
Final painting

Melissa Phase III
11 x 14
Oil on panel
Color underpainting continued

Melissa Phase II
11 x 14
Oil on panel
Color underpainting

Melissa Phase I
11 x 14
Oil on panel
Graphic composition in neutral values

Today was the last day of my two-week workshop with Michael Grimaldi. I learned so much, even though after the long workshops with Ted it felt incredibly rushed to study for just two weeks. Watching Michael's demonstrations and talking with him about art made for an amazing experience.

Michael's favorite word is "curiosity". He feels an artist must be truly curious to evolve, and must be interested enough to pursue ideas, technique and personal expression in whatever direction moves us. He has no adherence to "the way to paint" and encourages students to develop their own methods. He references artists and art movements and films and philosophers constantly.

I am not very happy with my final painting. Today, the last day, I was rushing to complete the "final pass" of the painting, and to my dismay I find after looking at the photos of the stages that I like earlier versions better. But Michael's process and technique are with me, and I'm looking forward to doing a series of painting this summer to try to get better at the technique.

Next Tuesday I fly to London, and Thursday I take the Chunnel to Paris! I'll have my laptop and will be bloggiing while I study with Studio Escalier, so stay tuned. (Please sign up for my RSS feed or email notifications in the upper right column on this page to be notified when I update my blog.)

At Studio Escalier we will be working in the historic studio of the Romantic painter Gericault. When I was a student in Paris in 1992, I had a free pass to the major art museums of Paris (that's France for you - "les etudients des beaux arts" are allowed in museums for FREE!). So I would jump off the bus on my way home outside the Louvre, cut the long line of tourists, and go straight to my favorite paintings whenever I wanted. Gericault's Raft of the Medusa was one of my favorites, and I often went to the Louvre just to see it.

If I could have known that 15 years later I would be returning to Paris to study figure drawing in Gericault's very own studio I would not have believed it.