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Sadie's Blogs and Website

For posts 2006-2010
please visit
sadievaleri.blogspot.com

Sadie’s current site is at
SadieValeriAtelier.com

UPDATE February 1, 2021

I have recently discovered that unfortunately this Squarespace blog has failed to maintain most the images for older posts on this blog. Luckily, the original Blogger version is still live at sadievaleri.blogspot.com and all the posts and images from 2006-2010 are still visible there.

For my current artwork, teaching, and blog please visit Sadie Valeri Atelier.

 

 

Entries from July 1, 2011 - July 31, 2011

Saturday
Jul022011

Featured in American Painting Video Magazine

Last month American Painting Video Magazine visited me in my San Francisco studio and interviewed me for their Summer issue, just released yesterday! You can hear an interview with me in my studio and also in-process footage of my newest painting, Undersea.

Download Volume 2, Summer issue here!


Undersea
15.75 x 20 inches, oil on panel 

About the painting:

Walking through San Francisco’s historic North Beach neighborhood, I stopped to look at a shop window full of collectibles and curiosities, and caught sight of a large, barnacle-encrusted bottle. I went in and spoke to the shop owner, who said he he had dredged up the bottle from the bottom of the San Francisco Bay while diving.

We struck a deal, I walked home with my treasure, and the next day the barnacle bottle was perched on my still life shelf, quietly demanding to be painted.

Over the next few days an arrangement evolved which promised to consume my studio time for weeks: A collection of salvaged treasures seemingly dredged up from the bottom of the sea. 

In this painting I have grouped objects with a variety of edges and textures: The waxed paper nearly disappears as it melts into the shadows of the background, while the spiny contours of the crab claw strike a dramatic silhouette. The soft cool highlights of the glass bottle must compete with the warm, sharp whites of the barnacle shells.

To capture this variety requires the most subtle decisions about color, value, and edge control. It takes many layers of thin oil paint to create the final result, as many as seven to ten layers in the most complicated areas.