Sterling Boat: Session 11

Sterling Boat - DETAIL - work in progress

oil on panel

See the previous post about this painting here

Sterling Boat - PREVIOUS DETAIL

I spent most the 4-hour session today on the seashell, but I think you can see the most difference in the before/after shots if you look at the edge of the painted wooden shelf.

The seashell is challenging because it is reflective, translucent, AND colorful. I'm trying to show a shiny surface that also has depth, because the light both bounces off and penetrates the surface. So there's a lot of fiddling, pushing the values and hues around bit by bit. Slow, slow painting.

This is where glazing makes a big difference because I can layer transparent films of color into a couch of slow-drying oil medium, and make tiny adjustments.

Also, thinning the paint with oil makes a cleaner edge, because the texture and goopiness of the paint is reduced. Just like how melted butter can spread in a thinner layer than cold butter simply spread thin.

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Comments

[Deborah Elmquist]

Congratulations on the studio space! What a marvelous opportunity and space for the lucky people who live in your area. I am really jealous.

[Honor Martinez]

Thanks for showing just how valuable values are. Foe me, this is an excellent study in the effect of deepening the values enhances the effect.