Wrapped Silver Goblet: Video 1
Saturday, September 26, 2009 at 2:16AM
Sadie Valeri in drawing, video demo

 

My new painting Wrapped Silver Goblet is almost done (see the first post about this painting here). I've been filming the process of creating this painting, so here is my first episode: A demonstration of how I developed the preparatory contour drawing in pencil:

 

 

(Click here to see a higher quality version)
In the video I mention transferring a drawing to a panel using trace paper. A lot of people ask how this is done so here is a how-to I wrote up for a student recently:
  1. Draw a straight-line block-in of your composition with pencil on white drawing paper. Make your drawing the same size and shape as your painting panel.
  2. When your block-in drawing is done, lay it down on a table (not an easel) and overlay a sheet of tracing paper. Tape down all 4 corners with removable artist's tape.
  3. Trace your drawing onto the tracing paper with a hard pencil (H or HB). Be sure to trace the corners of the drawing too, so you can line it up correctly on your panel.
  4. Remove the tape, flip over your trace paper drawing and scribble gently with a soft pencil (2B/3B) over all the lines you can see through the trace (OR you can use transfer paper, which you can buy in rolls at the art supply store).
  5. Arrange the trace paper drawing-side up (scribble side down) over your panel. Line up corners with the drawing. Tape all the corners.
  6. Using a hard pencil (2H) go over all lines of the drawing to press the contour lines onto the panel. Occasionally lift one corner to make sure the lines are transferring.
  7. When you have traced all your lines, discard the trace paper. Your drawing should be transferred to the panel. Move the panel back to the easel
  8. Refine your drawing on the panel with a 2B pencil, working from life. (Otherwise all your lines will have the dead, "traced" quality")
  9. Varnish the panel to seal the surface. Optional technique is to trace over all your pencil lines with a sepia-ink fountain pen or brown ultra-fine sharpie. Either way, seal the surface of the panel with varnish. Allow to dry. (I use damar varnish thinned with Turpenoid and with a small amount of Titanium white mixed in. Shake it in a jar to mix.)

 

Article originally appeared on Sadie Valeri Atelier | Oil Painting, Art Classes, Instructional Videos | San Francisco, California (https://www.sadievaleri.net/).
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